Tuesday, April 15, 2008

A Little (30)Rock and Roll and Back to More Reality (TV)

A Little (30)Rock and Roll and Back to More Reality (TV)

Just a quick one today...

Last week on Monday I decided to take Kerry, the key PA on 30Rock, up on an additional day on 30Rock.  He's texted me a few times over the past year or two with days on the show, but I've always been working on something else, so I decided to take a day on it just once before it wrapped (the next day) for the season.  It was a pretty standard day of exteriors on the upper west side with a really great crew.  It was nice to have some good catering for a change as well (they use TomKats, probably one of the best around).  We also made it snow for one scene, which was actually a bunch of soap bubbles, but we still got a lot of confused people slowing down as they drove by set.

Right now I'm working the last shooting day of the CW fashion show I talked about last time.  Tonight we're having a wrap party at 11p, which would be fine except that I start on some P Diddy reality show tomorrow at 8:45A. Boo. :(

Anyway, I'm pretty tired today anyway, so I don't really know how well I'll do for this new gig, but the guy that hired me will be at the wrap party too, so at least he should be understanding when I'm draggin' ass tomorrow...

Til next time...

Monday, March 31, 2008

Back to Life, Back to Reality (TV)

Back to Life, Back to Reality (TV)

Finally the writers’ strike has ended and I’m back at work.  Largely scraping by on unemployment, I hibernated through the rough NYC winter chill in my apartment, working on my great American screenplay and wasting a lot of time in Second Life, where all my slacking has earned me the reputation of the top simboarder extrodinaire (the simboard is sort of a hoverboard/ skateboard/ snowboard thing that’s a lot of fun to play around on).  I’ll just add that to my list of great achievements in geekdom...

My return to the working world began a few weeks ago with a couple of days on the new Disney movie "Confessions of a Shopaholic", starring Isla Fischer ( AKA Mrs. Sasha Baron Cohen (of Borat fame) and that crazy redhead from "Wedding Crashers").  It’s a big $90 million movie that’s based on the book of the same name.  It was an ok shoot, and I got to see and learn some stuff from the ILM (Industrial Light and Magic) guys.  I had already see the shiny/matte ball and motion tracking marks and bands before on other shoots, but I learned of a new little thing they use to figure out the focal length of their DV reference camera, affectionately called the "Cubecicle".

Now, I’m working on a new reality show that I can’t really say too much about, given the confidentiality agreement I signed, but I’ll tell you that it has to do with fashion and it’s not Top Model, although it does have a lot of the same producers.  I started as a talent wrangler, helping with contestant sequestering, and now I’m on normal PA duty.

That’s all that’s happening with me right now, but I’m starting to get antsy about the "big move" back down south to Birmingham that’ll be happening at the beginning of July.  Helen and I are moving back home to be close to family, and start a family, and I’m still wondering what exactly I’ll be doing down there.  I’m starting to find some old contacts that work with production companies and the film festival down there, but I imagine I’ll have to find a regular jobby job too.  I’m guessing that the freelance community isn’t strong enough to do the same kind of thing I’m doing up here, but I’m hoping to shake things up and make some work for myself somehow.

My dream is to make movies (and maybe some TV) that are all set and Shot in Alabama.  I started a little manifesto during my free time that I may post up here called "An Open Letter to Hollywood and New York Filmmakers" that details my complaints with the industry and how the south is represented and used in films and TV, but the gist of it is that while they say you can substitute and fake any place for another, those of us that live there know that it’s been shot in Georgia or South Carolina with actors that sound like they learned their fake accents from Foghorn Leghorn and that they don’t really know, understand, or care what we’re all about.  I want to represent my people and culture accurately and show that, for all our faults, we have something to contribute and a unique worldview that deserves to be heard.  For too long we have let a small group of people represent the whole of America, and I think it’s about time that more voices were heard.  They say "write what you know" and the south is what I know.  I could try and pen some New York story based on my experiences here, but I know it would just be a rehash of the old ’stranger in a strange land’ premise of all the different cultures and people here, or else a movie about making movies...and I simply despise any time an art form devolves to the point of making art about itself and loses touch with actual people in the real world.  I just hope and pray I find enough like-minded people down there to make it happen.  I do know that a lot of the artsy types I went to school with are wasting their talents in menial labor, so hopefully I can recruit some of them, but I really have no idea about crew possibilities.

Well, that’s all I got for now.  Wish me luck.  I’ll write some more when I got some more news...

Friday, October 26, 2007

Untitled, more Gossip Girl, the in-laws visit, and Ghosttown

Untitled, more Gossip Girl, the in-laws visit, and Ghosttown

Don't screw me over with my rate and I won't bail on your project.  That's the lesson to be learned after I recently left an indie movie I was on called "Untitled" after the first week.  Since then, I did a couple more days on Gossip Girl and now I'm on a Dreamworks picture called "Ghosttown" with Ricky Gervais, Greg Kinnear and Tea Leoni.

The people on "Untitled" called me a month before shooting started to offer me a job.  At first they enticed me with the promises of a better position like Key PA or 2nd 2nd AD, but then told me I'd be driving the G/E truck that I'd driven before at the rate of $125/day.  I took the gig because I figured they might be able to hook me up with a better position at some point.  A week before filming started, I found out they had decided to go with a bigger truck that needed someone with a CDL, so I got bumped down to just a regular set PA.  I didn't mind that so much until I found out, three days into shooting, that because I wasn't driving the truck they had dropped my rate down to $100/day.  Lame.  So, I bailed on them.  I figure if you don't show me any loyalty, then I don't have to show you any either.

So, now I'm working on "Ghosttown".  Today we're at Steiner Studios, but we have been doing a lot of location shooting on the UES.  I've really been surprised at how many people don't know who Ricky Gervais is (creator/writer/star of the original English "The Office" and the hilarious show "Extras"), but I guess it takes people a while to get the British shows.  They'll probably all end up on PBS in ten years... I love the show Extras, especially because I started watching it right after I had just started running background on films, so I found it paticularly funny and true.  When people would ask me what my workday was like, I would just tell them to watch "Extras" because it was so right on. 

This movie, "Ghosttown", is a comedy that seems to be like the movie "Ghost", only focusing on the Whoopi Goldberg-type character that's played by Ricky Gervais as a dentist that starts seeing ghosts, the main one who is played by Greg Kinnear who wants to talk to his widow played by Tea Leoni, and then becomes overrun with ghosts looking for help in the living world.

Otherwise, I've worked a little on Gossip Girl, which continues to be a fun gig, and I drove around my in-laws last weekend when they came up for a visit.  My father-in-law is in a wheelchair (he was a surgeon, but was paralyzed in a horse riding accident) so I had to drive the whole clan (Helen has 4 sisters + her mom) in a converted wheelchair van.  It was hectic but fun.  I think I won a couple of points with the fam-in-laws when I used my grip knowledge to put together a couple of ramps so that Helen's dad could get in to our apartment building. 

Anyway, that's all I got for now. 'Til next time...

Wednesday, October 3, 2007

P.S. Roger Waters...

P.S. Roger Waters... How did I forget to put this little tidbit in? I mean...jeez I put it in the title of the last blog!
So, I worked the VH1 Save the Music Gala a week or two ago, and I got to shake Roger Waters', of Pink Floyd, hand!  He was singing "Another Brick in the Wall" with a symphony of kids from the program behind him as well as a little choir of kids in front of him.  It was awesome! I turned off my walkie and hung out through the entire hour long sound check.  Afterwards he talked to Conan O'Brian for a second and then started walking right past me, so I asked him if I could I could shake his hand.  It was kind of a drive by shaking, but cool nonetheless.  I don't get star struck by many people, but dude...Pink Floyd

Tuesday, October 2, 2007

Roger Waters, Gossip Girl, and a Painting Elephant

Roger Waters, Gossip Girl, and a Painting Elephant Where to begin... It's been a crazy few weeks since last I wrote in this.  Since last time, I worked in the wardrobe department on that Ashton Kutcher/Cameron Diaz film "What Happens in Vegas", worked a few days on that Glenn Close/Ted Danson FX show "Damages" where I got punched on a street corner for no reason, worked a few days on the new CW show "Gossip Girl" before and after it started airing (which made a big difference in the crowds that showed up), worked on the new Coen brothers movie "Burn After Reading" with Brad Pitt, George Clooney, and John Malkovitch, worked as a grip back on the Nickelodeon show "The Naked Brother's Band", had a day where I rode a carousel, saw an elephant paint, and ended up at a burlesque show where that English Travel Channel guy happened to be filming a bit for a show, and met two other Clark(e)s, one of which is another PA and the other is staying on my couch.
So, the wardrobe thing on "Vegas" was alright, but I decided I don't like working in the wardrobe department.  Fashion is just too silly.  Sure I got to see Cameron Diaz at her costume fitting, but dealing with $5000 shoes and $500 t-shirts makes me laugh too much.  Some people and some movies just have more money than they know what to do with, so they just pay retarded prices for things that they have no concept of how much they should be.
Working on "Damages" was alright.  My friend Soren, who I've been working with since "Satan's Little Helper", is key PA on it now, so she got me a lot of additional work on it.  One night when we were shooting Woody Harrelson dropped by to visit Ted Danson on set.  One of the grips said I should try to burn one down with him because Woody's a big pothead and later I heard the director, who, for this episode, was Timothy Busfield from that old "30-Something" show, say that he had to turn Woody down because "...You know I don't smoke anymore, Woody". 
A few days ago when I was on "Damages", some guy gave me an elbow to the chest for no good reason.  I was standing on the corner, and the weird thing was I wasn't even stoppin anyone at that point.  I was just standing there with my walkie in hand and this Big meathead-type dude comes by and whacks me with his elbow in my arm and chest, so I immediately got on the radio and said "Hey! This dude just punched me over here! Where's our cop at?"  So, I followed this guy until the cop we had for traffic control showed up (along with a good bit of the crew that wanted to see what was going on).  The cop told me the most I could get the guy for was a ticket for "menacing", so he just chewed the guy out and made him apologize to me.  All in all, it was pretty funny.  Hey Meatheads- Rule 1 - Never punch a guy with a walkie!
So, I also worked a bunch of days on the new CW show "Gossip Girl", which was a lot of fun.  The first day was the week before it premiered and was incredibly easy.  Nobody knew what the show was or who the actors were so we didn't end up with any crowds at all. The next week was a different matter.  We were filming on the upper east side, where the stories are based, and after only one episode had aired we had huge crowds of schoolgirls all talking at once and going crazy.  At one point I looked around at all the extras dressed in schoolgirl uniforms and all the real schoolgirls and said, "I really should be more specific about my fantasies. When I said I wanted to be surrounded by schoolgirls... this isn't exactly what I had in mind."
My work on the Coen brothers movie was fairly uneventful, to say the least.  I've probably said it before, but PAing on big budget movies is pretty lame.  They put you far away from the actual set on some street corner and leave you there to rot all day.  That's basically what happened on this one.  I was supposed to be with a cop to lock up traffic around Grant's Tomb up in Harlem, but my cop got called away to help with crowd control for the Iranian presidents visit to Columbia and they left me at my pointless lock-up for two hours then put me on an equally pointless one for the rest of the day.  Then they didn't break us for lunch... at all.  We don't even get paid meal penalties like the union guys. The only thing we get is hungry.
Working as a grip back on "Naked Brothers" was sweet.  Nothing like coming back on a job you were fired from at a hgher rate. :-)
I worked a couple of days on an HD docu-show called Artstar where we followed around some odd artist types as they tried to make it in the NYC art world.  On Saturday,  we shot at the DUMBO art festival where I had some hot chocolate at Jaques Torres, saw an elephant paint, and looked at a bunch of crappy "art".  Some of it was okay, but most of it just reminded me of that guy at school that tried to be goth but never really got it.
That night we hung out with some old friends for my friend Drew's birthday.  We had some drinks at a gay bar and then went to a burlesque show, which was a whole lot like a sideshow at a circus. There was a chunky belly dancing sword swallower, a juggler that kept dropping stuff (which became scary when he was juggling fire batons and dropping them), and an old lady host with a lot of incestual "Momma" jokes.  It was pretty fun and that guy, Ian Something-or-another from the Travel channel, was doing a segment during the show.
Okay. I'm tired of writing. I'll try to write more often, but I'm not promising anything.

Wednesday, August 15, 2007

Desperate Housewives Gossip, "Revolutionary Road", and some Dutch Film

Desperate Housewives Gossip, "Revolutionary Road", and some Dutch Film

I've been woking a lot of different jobs lately.  I worked a few days on this movie called "Camp Hope", a kind-of horror/religious commentary film, where I met Andrew McCarthy (of 80's Brat Pack fame) and Emmy award winner Dana Delaney, who is a really great lady, and also the newest cast member of "Desperate Housewives".  It was a long drive up to  ..White Plains, NY and Connecticut, where we did all of our filming, so I learned a lot of the drama that's already started to happen on the "Housewives" set.  After that,I worked a couple of days on a Verizon FIOS commercial in the art department, and then I worked the last two days on "Revolutionary Road",  the new film from director Sam Mendes (American Beauty) that stars Leonardo DeCaprio and Kate Winslet.  Right now I just started working for the next three days on some Dutch film called "Far From Family" with the people at Gigantic Pictures, whom I worked with before on "Toe Tac Tic" and other small shoots.

So, what's the gossip from "Desperate Housewives"?  Well, I'm not one that likes to dish the dirt, but I drove the main cast car up to White Plains with Andrew McCarthy and Dana Delaney, which gave the two of them plenty of time to talk, and Andrew insisted that Dana give him all the good gossip.  Before I make it sound like Dana is just another actress falling into the backstabbing silliness that you hear about all the time from "Housewives", I'd just like to say that she is really a great person.  We had a nice conversation before we picked up Andrew, in which she actually listened and took interest in what I had to say, which doesn't normally happen when you're driving around talent.  Normally, they're so into themselves, they don't even have time to make conversation.  She even jumped out of the car at Starbucks to buy her own coffee AND bought me one as well,  another unheard of gesture for the PA driving the car. 

Anyway...the dirt.  So, it seems the lack of substance in the writing often turns the competition from the acting to shallower waters.  Apparently, Dana accidentally used Marcia Cross's hairdresser, which rubbed Marcia the wrong way.  In talking to the producers, she learned that officially no one had a "personal" hairdresser.  Although, after the producer she talked to went and checked up on the situation, she was told to not push the hairdresser issue.  Apparently, Marcia Cross has been through ten of them already.  Aside from that, there was some other typical drama.  Dana was doing a scene with another actress (I don't remember who...sorry) and Dana went ahead and did her coverage first.  The director said to do the scene real light and airy, so she did.  When the other actress did her singles, suddenly there was crying and a whole other layer that wasn't there before.  I guess with a new Emmy award winning actress on, everyone's feeling the pressure to up their game, even by sneaky means.  But, hey, it's no "China Beach".

On that "Extra!" show last Thursday there was a bit of a mix-up.   They claimed "Revolutionary Road" had wrapped up just as I was started to work on the last two days of shooting.  They were probably confused by the fact that they had the wrap party Wednesday night so that everyone could go.  Needless to say, I missed the wrap party.  Leo had already finished his part, but Kate Winslet worked on that Thursday, so I got to see her a little bit.  Then I was out in the wet and the cold (60 degrees in the middle of summer?!?) on Friday as we shot some scenes set in the 1930's that were a flashback of the young version of Kate's character.  I guess I can't tell you too much since I signed one of those confidentiality agreements.  I also signed one for the couple of days I worked on "You Don't Mess With the Zohan", a new Adam Sandler film.  But that's all I can tell you...ok, fine. There was a stunt and a limo was involved.  That's all you get.

So, that brings me to today.  As I type this, I'm sitting with my laptop at Eastern Effects (a grip and lighting house), waiting for the G/E guys to load the truck I'm driving up to Rockland county tomorrow.  I don't know much about the film: only that I'll be Key PA on it for the two day shoot.  We shoot all day tomorrow, then we stay in a hotel for the night and shoot all night Friday night, coming back to the city early Saturday morning.

Other than that, I've been working on finishing up Episode 6 of Pothedz Couch, which I finally set a release date for - Friday August 24th!!!  The only thing left to do is add some music under a couple of sections, which hopefully my friend, Sam George, will have ready for me soon.  I'm really excited about this episode, which, while shorter,  is a lot better paced and packed with fun and cool stuff.  It's proabably the best one since episode 2. 

Well, that's all I got for now.  Until next time....

Saturday, July 28, 2007

Nickelodeons "The Naked Brothers Band" Reinvents the Chinese Sweatshop

Nickelodeons "The Naked Brothers Band" Reinvents the Chinese Sweatshop I got fired last week from Nickelodeon's 'The Naked Brothers Band' for standing up against their slave labor practices.  It's actually an industry-wide problem that I've seen many times before, but this was the first time I felt compelled to do something about it.  It's pretty odd for me, but this is the only time I've ever been fired from a job and had family and friends tell me how proud of me they are, although I don't know if I did any good in the long run.  The practice against which I was fighting against still remains, and the people that do it still go unpunished, but at least I didn't just stand idly by and watch it happen this time.  Unfortunately that means I don't have a steady job for the summer, but luckily summer is still the busy season and I'm still getting calls for other jobs.
     The illegal practice to which I'm refering to is that of hiring unpaid "interns" to work for productions, usually smaller independent productions, but sometimes the bigger boys abuse the practice as well.  Sometimes, although rarely, these positions are worked for school credit, but most of the time it's just young kids getting duped into working for free.  I actually don't mind the practice, for the most part.  In fact, one of my first jobs was working three days on a short as a grip for free and I learned more in those three days about the film business than I had learned in all of college.  Unfortunately, though, some unscrupulous employers tend to take advantage of this practice and make their "interns" work for days, weeks, and even months for free, all the while promising them paid work that they may or may not give in the future.  My story is about such an employer.
    All of last summer I worked on the Nickelodeon show 'The Naked Brothers Band'.  I worked in the art department as a PA (Production Assistant), which mainly consisted of driving a cube truck and picking up props, scenery, furniture, etc. and bringing it to and from the stage.  We also had a couple of "interns" with us in the art department that were there every day of the week, and sometimes putting in extra time on the weekends.  One of these "interns" was a great, hardworking, and loyal young Chinese-American kid named Chi.  There was nothing Chi wouldn't do for them, and often if he was sent on a run to go pick something up, you could see him literally running down the street from the stage to go and get it in the sweltering summer heat.  A good bit of the time Chi was put on the truck with me to give me a hand loading and unloading, which is a "luxury" many productions forgo to save a little money (which they've already done by hiring a cheap PA like me instead of a much more expensive teamster like they should).  Chi was invaluable to me most of the time, as I don't think I could have completed all my pick-ups and drop-offs in time, or sometimes at all, without him.  He did this job for a good three to four months without pay, working various odd jobs on the weekend, without a day off, to actually earn money to pay his rent, which, although is less expensive because he lives out in Flushing, Queens, was still his responsibility without aid from rich parents (his family moved to North Carolina from China when he was young and his father owns a deli/grocery there).
    This year I got asked to reprise my job on the show for the second season, and after a few weeks Chi showed up again working in the office and helping me on the truck.  Unfortunately, they told him, because of a lot of the higher-ups getting pay raises, the budget for this year was actually LESS than the first season, so they wouldn't be able to pay him at all this year either.  Many interns at this point would have simply quit, but my friend Chi is hardworking and loyal to a fault, and since our production designer, Ethan Tobman, had got him a handful of jobs  during the past year, he stayed on. 
    I knew that this was wrong and voiced my opinion about it regularly.  I knew he would even be willing to work at half the rate I was getting and still be able to make rent, but they said they didn't have the money for it.  When the accountant, whom I had become friends with the last year, asked me why Chi wasn't getting paid (Chi was well liked by almost all the staff on the show), I told him the whole story and he said he would talk to the producers about getting Chi paid.  In the meantime, I felt obligated to help out Chi, since he helped me out every day, and I gave him twenty bucks out of my check every day he worked.  It wasn't much, but I knew he needed the money, and if they couldn't figure out how to find it in THEIR budget, I would show them how easy it was by taking it out of mine. 
    The final straw came when they made him dye some carpet tiles for the kids bedroom on the show.  The previous year, Chi, along with the other intern at the time, had to work on a weekend and devise a way to dye these tiles for the set, even though it was a task they were untrained for, and probably supposed to be an union job.  During the break from the previous season, many of the tiles for the room had been lost or damaged, so they need to make about 30 more or so.  The other intern from the previous year had long since moved, and Chi was the only person that knew how to dye the tiles and match the color right.  So they set him up in an unventilated room downstairs, to keep him hidden from the union guys, with a couple of hot plate/stove-eye things and a cauldron-like pot of boiling hot water that he had to painfully dip his hands into to rub the dye in because they didn't give him the proper tools needed to do the job, and they put him to work.
    When I walked into that room and saw him rubbing the dye in, only to jerk his hands out of the boiling water and shake them off before the heat got to intense, his hands turning purple and green that would last for the next few days from the dye, my heart sank.  I knew I had to at least get him proper tools, and I knew that this was essentially slave labor.  I did what ever I could.  I brought in one of the union 52 guys to show him our "dirty little secret", our own "Chinese sweatshop", and he told me he'd talk to the union rep about getting him paid.  I showed our office coordinator, Jeremy McGuire, the burns on Chi's hands and he said, in a patronizing way, "Chi, you've got to tell us about this so that we can get you the right tools", obviously only concerned with the potential lawsuit implications.
    Chi finished all the tiles, and nothing happened.  The union guys said they couldn't do anything for him.  The accountant said he had talked to the producers and they were still "looking for the money in the budget".  I was still paying Chi $20 out of my paycheck everyday. They had gotten him to work for them for free, again.  In fact, one day after Chi had helped me out on the truck all day, they told me that he couldn't be in the truck with me "for insurance reasons" even though he had done the same thing the entire previous year, and then they said they would start looking for someone to hire to put on the truck with me.  I asked them why they couldn't just start paying Chi, and they told me because they wanted somebody stronger that wasn't so "clumsy" and wouldn't get hurt, even though he had done the job the entire last year.   And then they needed a few more tiles dyed.
    I told Chi all that they had said, and I told him he should demand to get paid.  It hit him that they simply did not respect him at all and he needed to do something about it.  So, he went into the office and gave them the ultimatum: either they paid him to dye, or he would leave, taking the vital information of how to do it with him.  At first, Jeremy, the office coordinator, told him they would invoice him for it, and we thought we had won a small battle.  He probably wouldn't have asked for much, maybe $100 or so for the job, much less than hiring a union professional.  Just a few hours later, apparently after Jeremy had a talk with our heartless production designer, Ethan Tobman, he was told that there would be no discussion -  he would have to do the entire dye job for free.   He hadn't  been forewarned  to wear the proper clothing for the day, and the tools which Jeremy the office coordinator had seemed SO concerned that he needed for the job were nowhere to be found.  Yet they expected him to do it anyway.  So he walked.  They told him that he needed to tell the other "intern" the formula to get the dye right and he refused.  I was so proud of him for finally standing up to them.  And then they fired me.
    At the end of the day, they called me into the office and told me that "it just wasn't working out".  I asked them why and they said I was being "insubordinate" for telling Chi to stand up for himself and they wouldn't give in to that kind of "bullying".  I asked them how they could be so heartless as to have him work for free in the first place, and Ethan's reply was that he had given Chi other jobs in which he had gotten paid, which supposedly demonstrated his great "concern" and "caring" for another individual's well-being.  I talked to the head producers before leaving, and they promised me to rectify the situation, whether it be getting me and Chi back on the show, or jobs on another show, but I still have yet to hear from them at all.
    If I had it to do over again, I wouldn't change a thing.  Like I said before, it's amazing how much my friends and family have supported my decision, and a few have even said I was their "hero" for standing up for what was right.  It's sad, though, that they simply got away with it, and continue the practice as well.  I can only trust that one day they'll get what they deserve and God and the karma police will come for them.  Until then, I'm still getting calls for other jobs and struggling to pay the rent.  But at least I did the right thing.