Tuesday, April 15, 2008

A Little (30)Rock and Roll and Back to More Reality (TV)

A Little (30)Rock and Roll and Back to More Reality (TV)

Just a quick one today...

Last week on Monday I decided to take Kerry, the key PA on 30Rock, up on an additional day on 30Rock.  He's texted me a few times over the past year or two with days on the show, but I've always been working on something else, so I decided to take a day on it just once before it wrapped (the next day) for the season.  It was a pretty standard day of exteriors on the upper west side with a really great crew.  It was nice to have some good catering for a change as well (they use TomKats, probably one of the best around).  We also made it snow for one scene, which was actually a bunch of soap bubbles, but we still got a lot of confused people slowing down as they drove by set.

Right now I'm working the last shooting day of the CW fashion show I talked about last time.  Tonight we're having a wrap party at 11p, which would be fine except that I start on some P Diddy reality show tomorrow at 8:45A. Boo. :(

Anyway, I'm pretty tired today anyway, so I don't really know how well I'll do for this new gig, but the guy that hired me will be at the wrap party too, so at least he should be understanding when I'm draggin' ass tomorrow...

Til next time...

Monday, March 31, 2008

Back to Life, Back to Reality (TV)

Back to Life, Back to Reality (TV)

Finally the writers’ strike has ended and I’m back at work.  Largely scraping by on unemployment, I hibernated through the rough NYC winter chill in my apartment, working on my great American screenplay and wasting a lot of time in Second Life, where all my slacking has earned me the reputation of the top simboarder extrodinaire (the simboard is sort of a hoverboard/ skateboard/ snowboard thing that’s a lot of fun to play around on).  I’ll just add that to my list of great achievements in geekdom...

My return to the working world began a few weeks ago with a couple of days on the new Disney movie "Confessions of a Shopaholic", starring Isla Fischer ( AKA Mrs. Sasha Baron Cohen (of Borat fame) and that crazy redhead from "Wedding Crashers").  It’s a big $90 million movie that’s based on the book of the same name.  It was an ok shoot, and I got to see and learn some stuff from the ILM (Industrial Light and Magic) guys.  I had already see the shiny/matte ball and motion tracking marks and bands before on other shoots, but I learned of a new little thing they use to figure out the focal length of their DV reference camera, affectionately called the "Cubecicle".

Now, I’m working on a new reality show that I can’t really say too much about, given the confidentiality agreement I signed, but I’ll tell you that it has to do with fashion and it’s not Top Model, although it does have a lot of the same producers.  I started as a talent wrangler, helping with contestant sequestering, and now I’m on normal PA duty.

That’s all that’s happening with me right now, but I’m starting to get antsy about the "big move" back down south to Birmingham that’ll be happening at the beginning of July.  Helen and I are moving back home to be close to family, and start a family, and I’m still wondering what exactly I’ll be doing down there.  I’m starting to find some old contacts that work with production companies and the film festival down there, but I imagine I’ll have to find a regular jobby job too.  I’m guessing that the freelance community isn’t strong enough to do the same kind of thing I’m doing up here, but I’m hoping to shake things up and make some work for myself somehow.

My dream is to make movies (and maybe some TV) that are all set and Shot in Alabama.  I started a little manifesto during my free time that I may post up here called "An Open Letter to Hollywood and New York Filmmakers" that details my complaints with the industry and how the south is represented and used in films and TV, but the gist of it is that while they say you can substitute and fake any place for another, those of us that live there know that it’s been shot in Georgia or South Carolina with actors that sound like they learned their fake accents from Foghorn Leghorn and that they don’t really know, understand, or care what we’re all about.  I want to represent my people and culture accurately and show that, for all our faults, we have something to contribute and a unique worldview that deserves to be heard.  For too long we have let a small group of people represent the whole of America, and I think it’s about time that more voices were heard.  They say "write what you know" and the south is what I know.  I could try and pen some New York story based on my experiences here, but I know it would just be a rehash of the old ’stranger in a strange land’ premise of all the different cultures and people here, or else a movie about making movies...and I simply despise any time an art form devolves to the point of making art about itself and loses touch with actual people in the real world.  I just hope and pray I find enough like-minded people down there to make it happen.  I do know that a lot of the artsy types I went to school with are wasting their talents in menial labor, so hopefully I can recruit some of them, but I really have no idea about crew possibilities.

Well, that’s all I got for now.  Wish me luck.  I’ll write some more when I got some more news...

Friday, October 26, 2007

Untitled, more Gossip Girl, the in-laws visit, and Ghosttown

Untitled, more Gossip Girl, the in-laws visit, and Ghosttown

Don't screw me over with my rate and I won't bail on your project.  That's the lesson to be learned after I recently left an indie movie I was on called "Untitled" after the first week.  Since then, I did a couple more days on Gossip Girl and now I'm on a Dreamworks picture called "Ghosttown" with Ricky Gervais, Greg Kinnear and Tea Leoni.

The people on "Untitled" called me a month before shooting started to offer me a job.  At first they enticed me with the promises of a better position like Key PA or 2nd 2nd AD, but then told me I'd be driving the G/E truck that I'd driven before at the rate of $125/day.  I took the gig because I figured they might be able to hook me up with a better position at some point.  A week before filming started, I found out they had decided to go with a bigger truck that needed someone with a CDL, so I got bumped down to just a regular set PA.  I didn't mind that so much until I found out, three days into shooting, that because I wasn't driving the truck they had dropped my rate down to $100/day.  Lame.  So, I bailed on them.  I figure if you don't show me any loyalty, then I don't have to show you any either.

So, now I'm working on "Ghosttown".  Today we're at Steiner Studios, but we have been doing a lot of location shooting on the UES.  I've really been surprised at how many people don't know who Ricky Gervais is (creator/writer/star of the original English "The Office" and the hilarious show "Extras"), but I guess it takes people a while to get the British shows.  They'll probably all end up on PBS in ten years... I love the show Extras, especially because I started watching it right after I had just started running background on films, so I found it paticularly funny and true.  When people would ask me what my workday was like, I would just tell them to watch "Extras" because it was so right on. 

This movie, "Ghosttown", is a comedy that seems to be like the movie "Ghost", only focusing on the Whoopi Goldberg-type character that's played by Ricky Gervais as a dentist that starts seeing ghosts, the main one who is played by Greg Kinnear who wants to talk to his widow played by Tea Leoni, and then becomes overrun with ghosts looking for help in the living world.

Otherwise, I've worked a little on Gossip Girl, which continues to be a fun gig, and I drove around my in-laws last weekend when they came up for a visit.  My father-in-law is in a wheelchair (he was a surgeon, but was paralyzed in a horse riding accident) so I had to drive the whole clan (Helen has 4 sisters + her mom) in a converted wheelchair van.  It was hectic but fun.  I think I won a couple of points with the fam-in-laws when I used my grip knowledge to put together a couple of ramps so that Helen's dad could get in to our apartment building. 

Anyway, that's all I got for now. 'Til next time...

Wednesday, October 3, 2007

P.S. Roger Waters...

P.S. Roger Waters... How did I forget to put this little tidbit in? I mean...jeez I put it in the title of the last blog!
So, I worked the VH1 Save the Music Gala a week or two ago, and I got to shake Roger Waters', of Pink Floyd, hand!  He was singing "Another Brick in the Wall" with a symphony of kids from the program behind him as well as a little choir of kids in front of him.  It was awesome! I turned off my walkie and hung out through the entire hour long sound check.  Afterwards he talked to Conan O'Brian for a second and then started walking right past me, so I asked him if I could I could shake his hand.  It was kind of a drive by shaking, but cool nonetheless.  I don't get star struck by many people, but dude...Pink Floyd

Tuesday, October 2, 2007

Roger Waters, Gossip Girl, and a Painting Elephant

Roger Waters, Gossip Girl, and a Painting Elephant Where to begin... It's been a crazy few weeks since last I wrote in this.  Since last time, I worked in the wardrobe department on that Ashton Kutcher/Cameron Diaz film "What Happens in Vegas", worked a few days on that Glenn Close/Ted Danson FX show "Damages" where I got punched on a street corner for no reason, worked a few days on the new CW show "Gossip Girl" before and after it started airing (which made a big difference in the crowds that showed up), worked on the new Coen brothers movie "Burn After Reading" with Brad Pitt, George Clooney, and John Malkovitch, worked as a grip back on the Nickelodeon show "The Naked Brother's Band", had a day where I rode a carousel, saw an elephant paint, and ended up at a burlesque show where that English Travel Channel guy happened to be filming a bit for a show, and met two other Clark(e)s, one of which is another PA and the other is staying on my couch.
So, the wardrobe thing on "Vegas" was alright, but I decided I don't like working in the wardrobe department.  Fashion is just too silly.  Sure I got to see Cameron Diaz at her costume fitting, but dealing with $5000 shoes and $500 t-shirts makes me laugh too much.  Some people and some movies just have more money than they know what to do with, so they just pay retarded prices for things that they have no concept of how much they should be.
Working on "Damages" was alright.  My friend Soren, who I've been working with since "Satan's Little Helper", is key PA on it now, so she got me a lot of additional work on it.  One night when we were shooting Woody Harrelson dropped by to visit Ted Danson on set.  One of the grips said I should try to burn one down with him because Woody's a big pothead and later I heard the director, who, for this episode, was Timothy Busfield from that old "30-Something" show, say that he had to turn Woody down because "...You know I don't smoke anymore, Woody". 
A few days ago when I was on "Damages", some guy gave me an elbow to the chest for no good reason.  I was standing on the corner, and the weird thing was I wasn't even stoppin anyone at that point.  I was just standing there with my walkie in hand and this Big meathead-type dude comes by and whacks me with his elbow in my arm and chest, so I immediately got on the radio and said "Hey! This dude just punched me over here! Where's our cop at?"  So, I followed this guy until the cop we had for traffic control showed up (along with a good bit of the crew that wanted to see what was going on).  The cop told me the most I could get the guy for was a ticket for "menacing", so he just chewed the guy out and made him apologize to me.  All in all, it was pretty funny.  Hey Meatheads- Rule 1 - Never punch a guy with a walkie!
So, I also worked a bunch of days on the new CW show "Gossip Girl", which was a lot of fun.  The first day was the week before it premiered and was incredibly easy.  Nobody knew what the show was or who the actors were so we didn't end up with any crowds at all. The next week was a different matter.  We were filming on the upper east side, where the stories are based, and after only one episode had aired we had huge crowds of schoolgirls all talking at once and going crazy.  At one point I looked around at all the extras dressed in schoolgirl uniforms and all the real schoolgirls and said, "I really should be more specific about my fantasies. When I said I wanted to be surrounded by schoolgirls... this isn't exactly what I had in mind."
My work on the Coen brothers movie was fairly uneventful, to say the least.  I've probably said it before, but PAing on big budget movies is pretty lame.  They put you far away from the actual set on some street corner and leave you there to rot all day.  That's basically what happened on this one.  I was supposed to be with a cop to lock up traffic around Grant's Tomb up in Harlem, but my cop got called away to help with crowd control for the Iranian presidents visit to Columbia and they left me at my pointless lock-up for two hours then put me on an equally pointless one for the rest of the day.  Then they didn't break us for lunch... at all.  We don't even get paid meal penalties like the union guys. The only thing we get is hungry.
Working as a grip back on "Naked Brothers" was sweet.  Nothing like coming back on a job you were fired from at a hgher rate. :-)
I worked a couple of days on an HD docu-show called Artstar where we followed around some odd artist types as they tried to make it in the NYC art world.  On Saturday,  we shot at the DUMBO art festival where I had some hot chocolate at Jaques Torres, saw an elephant paint, and looked at a bunch of crappy "art".  Some of it was okay, but most of it just reminded me of that guy at school that tried to be goth but never really got it.
That night we hung out with some old friends for my friend Drew's birthday.  We had some drinks at a gay bar and then went to a burlesque show, which was a whole lot like a sideshow at a circus. There was a chunky belly dancing sword swallower, a juggler that kept dropping stuff (which became scary when he was juggling fire batons and dropping them), and an old lady host with a lot of incestual "Momma" jokes.  It was pretty fun and that guy, Ian Something-or-another from the Travel channel, was doing a segment during the show.
Okay. I'm tired of writing. I'll try to write more often, but I'm not promising anything.

Wednesday, August 15, 2007

Desperate Housewives Gossip, "Revolutionary Road", and some Dutch Film

Desperate Housewives Gossip, "Revolutionary Road", and some Dutch Film

I've been woking a lot of different jobs lately.  I worked a few days on this movie called "Camp Hope", a kind-of horror/religious commentary film, where I met Andrew McCarthy (of 80's Brat Pack fame) and Emmy award winner Dana Delaney, who is a really great lady, and also the newest cast member of "Desperate Housewives".  It was a long drive up to  ..White Plains, NY and Connecticut, where we did all of our filming, so I learned a lot of the drama that's already started to happen on the "Housewives" set.  After that,I worked a couple of days on a Verizon FIOS commercial in the art department, and then I worked the last two days on "Revolutionary Road",  the new film from director Sam Mendes (American Beauty) that stars Leonardo DeCaprio and Kate Winslet.  Right now I just started working for the next three days on some Dutch film called "Far From Family" with the people at Gigantic Pictures, whom I worked with before on "Toe Tac Tic" and other small shoots.

So, what's the gossip from "Desperate Housewives"?  Well, I'm not one that likes to dish the dirt, but I drove the main cast car up to White Plains with Andrew McCarthy and Dana Delaney, which gave the two of them plenty of time to talk, and Andrew insisted that Dana give him all the good gossip.  Before I make it sound like Dana is just another actress falling into the backstabbing silliness that you hear about all the time from "Housewives", I'd just like to say that she is really a great person.  We had a nice conversation before we picked up Andrew, in which she actually listened and took interest in what I had to say, which doesn't normally happen when you're driving around talent.  Normally, they're so into themselves, they don't even have time to make conversation.  She even jumped out of the car at Starbucks to buy her own coffee AND bought me one as well,  another unheard of gesture for the PA driving the car. 

Anyway...the dirt.  So, it seems the lack of substance in the writing often turns the competition from the acting to shallower waters.  Apparently, Dana accidentally used Marcia Cross's hairdresser, which rubbed Marcia the wrong way.  In talking to the producers, she learned that officially no one had a "personal" hairdresser.  Although, after the producer she talked to went and checked up on the situation, she was told to not push the hairdresser issue.  Apparently, Marcia Cross has been through ten of them already.  Aside from that, there was some other typical drama.  Dana was doing a scene with another actress (I don't remember who...sorry) and Dana went ahead and did her coverage first.  The director said to do the scene real light and airy, so she did.  When the other actress did her singles, suddenly there was crying and a whole other layer that wasn't there before.  I guess with a new Emmy award winning actress on, everyone's feeling the pressure to up their game, even by sneaky means.  But, hey, it's no "China Beach".

On that "Extra!" show last Thursday there was a bit of a mix-up.   They claimed "Revolutionary Road" had wrapped up just as I was started to work on the last two days of shooting.  They were probably confused by the fact that they had the wrap party Wednesday night so that everyone could go.  Needless to say, I missed the wrap party.  Leo had already finished his part, but Kate Winslet worked on that Thursday, so I got to see her a little bit.  Then I was out in the wet and the cold (60 degrees in the middle of summer?!?) on Friday as we shot some scenes set in the 1930's that were a flashback of the young version of Kate's character.  I guess I can't tell you too much since I signed one of those confidentiality agreements.  I also signed one for the couple of days I worked on "You Don't Mess With the Zohan", a new Adam Sandler film.  But that's all I can tell you...ok, fine. There was a stunt and a limo was involved.  That's all you get.

So, that brings me to today.  As I type this, I'm sitting with my laptop at Eastern Effects (a grip and lighting house), waiting for the G/E guys to load the truck I'm driving up to Rockland county tomorrow.  I don't know much about the film: only that I'll be Key PA on it for the two day shoot.  We shoot all day tomorrow, then we stay in a hotel for the night and shoot all night Friday night, coming back to the city early Saturday morning.

Other than that, I've been working on finishing up Episode 6 of Pothedz Couch, which I finally set a release date for - Friday August 24th!!!  The only thing left to do is add some music under a couple of sections, which hopefully my friend, Sam George, will have ready for me soon.  I'm really excited about this episode, which, while shorter,  is a lot better paced and packed with fun and cool stuff.  It's proabably the best one since episode 2. 

Well, that's all I got for now.  Until next time....

Saturday, July 28, 2007

Nickelodeons "The Naked Brothers Band" Reinvents the Chinese Sweatshop

Nickelodeons "The Naked Brothers Band" Reinvents the Chinese Sweatshop I got fired last week from Nickelodeon's 'The Naked Brothers Band' for standing up against their slave labor practices.  It's actually an industry-wide problem that I've seen many times before, but this was the first time I felt compelled to do something about it.  It's pretty odd for me, but this is the only time I've ever been fired from a job and had family and friends tell me how proud of me they are, although I don't know if I did any good in the long run.  The practice against which I was fighting against still remains, and the people that do it still go unpunished, but at least I didn't just stand idly by and watch it happen this time.  Unfortunately that means I don't have a steady job for the summer, but luckily summer is still the busy season and I'm still getting calls for other jobs.
     The illegal practice to which I'm refering to is that of hiring unpaid "interns" to work for productions, usually smaller independent productions, but sometimes the bigger boys abuse the practice as well.  Sometimes, although rarely, these positions are worked for school credit, but most of the time it's just young kids getting duped into working for free.  I actually don't mind the practice, for the most part.  In fact, one of my first jobs was working three days on a short as a grip for free and I learned more in those three days about the film business than I had learned in all of college.  Unfortunately, though, some unscrupulous employers tend to take advantage of this practice and make their "interns" work for days, weeks, and even months for free, all the while promising them paid work that they may or may not give in the future.  My story is about such an employer.
    All of last summer I worked on the Nickelodeon show 'The Naked Brothers Band'.  I worked in the art department as a PA (Production Assistant), which mainly consisted of driving a cube truck and picking up props, scenery, furniture, etc. and bringing it to and from the stage.  We also had a couple of "interns" with us in the art department that were there every day of the week, and sometimes putting in extra time on the weekends.  One of these "interns" was a great, hardworking, and loyal young Chinese-American kid named Chi.  There was nothing Chi wouldn't do for them, and often if he was sent on a run to go pick something up, you could see him literally running down the street from the stage to go and get it in the sweltering summer heat.  A good bit of the time Chi was put on the truck with me to give me a hand loading and unloading, which is a "luxury" many productions forgo to save a little money (which they've already done by hiring a cheap PA like me instead of a much more expensive teamster like they should).  Chi was invaluable to me most of the time, as I don't think I could have completed all my pick-ups and drop-offs in time, or sometimes at all, without him.  He did this job for a good three to four months without pay, working various odd jobs on the weekend, without a day off, to actually earn money to pay his rent, which, although is less expensive because he lives out in Flushing, Queens, was still his responsibility without aid from rich parents (his family moved to North Carolina from China when he was young and his father owns a deli/grocery there).
    This year I got asked to reprise my job on the show for the second season, and after a few weeks Chi showed up again working in the office and helping me on the truck.  Unfortunately, they told him, because of a lot of the higher-ups getting pay raises, the budget for this year was actually LESS than the first season, so they wouldn't be able to pay him at all this year either.  Many interns at this point would have simply quit, but my friend Chi is hardworking and loyal to a fault, and since our production designer, Ethan Tobman, had got him a handful of jobs  during the past year, he stayed on. 
    I knew that this was wrong and voiced my opinion about it regularly.  I knew he would even be willing to work at half the rate I was getting and still be able to make rent, but they said they didn't have the money for it.  When the accountant, whom I had become friends with the last year, asked me why Chi wasn't getting paid (Chi was well liked by almost all the staff on the show), I told him the whole story and he said he would talk to the producers about getting Chi paid.  In the meantime, I felt obligated to help out Chi, since he helped me out every day, and I gave him twenty bucks out of my check every day he worked.  It wasn't much, but I knew he needed the money, and if they couldn't figure out how to find it in THEIR budget, I would show them how easy it was by taking it out of mine. 
    The final straw came when they made him dye some carpet tiles for the kids bedroom on the show.  The previous year, Chi, along with the other intern at the time, had to work on a weekend and devise a way to dye these tiles for the set, even though it was a task they were untrained for, and probably supposed to be an union job.  During the break from the previous season, many of the tiles for the room had been lost or damaged, so they need to make about 30 more or so.  The other intern from the previous year had long since moved, and Chi was the only person that knew how to dye the tiles and match the color right.  So they set him up in an unventilated room downstairs, to keep him hidden from the union guys, with a couple of hot plate/stove-eye things and a cauldron-like pot of boiling hot water that he had to painfully dip his hands into to rub the dye in because they didn't give him the proper tools needed to do the job, and they put him to work.
    When I walked into that room and saw him rubbing the dye in, only to jerk his hands out of the boiling water and shake them off before the heat got to intense, his hands turning purple and green that would last for the next few days from the dye, my heart sank.  I knew I had to at least get him proper tools, and I knew that this was essentially slave labor.  I did what ever I could.  I brought in one of the union 52 guys to show him our "dirty little secret", our own "Chinese sweatshop", and he told me he'd talk to the union rep about getting him paid.  I showed our office coordinator, Jeremy McGuire, the burns on Chi's hands and he said, in a patronizing way, "Chi, you've got to tell us about this so that we can get you the right tools", obviously only concerned with the potential lawsuit implications.
    Chi finished all the tiles, and nothing happened.  The union guys said they couldn't do anything for him.  The accountant said he had talked to the producers and they were still "looking for the money in the budget".  I was still paying Chi $20 out of my paycheck everyday. They had gotten him to work for them for free, again.  In fact, one day after Chi had helped me out on the truck all day, they told me that he couldn't be in the truck with me "for insurance reasons" even though he had done the same thing the entire previous year, and then they said they would start looking for someone to hire to put on the truck with me.  I asked them why they couldn't just start paying Chi, and they told me because they wanted somebody stronger that wasn't so "clumsy" and wouldn't get hurt, even though he had done the job the entire last year.   And then they needed a few more tiles dyed.
    I told Chi all that they had said, and I told him he should demand to get paid.  It hit him that they simply did not respect him at all and he needed to do something about it.  So, he went into the office and gave them the ultimatum: either they paid him to dye, or he would leave, taking the vital information of how to do it with him.  At first, Jeremy, the office coordinator, told him they would invoice him for it, and we thought we had won a small battle.  He probably wouldn't have asked for much, maybe $100 or so for the job, much less than hiring a union professional.  Just a few hours later, apparently after Jeremy had a talk with our heartless production designer, Ethan Tobman, he was told that there would be no discussion -  he would have to do the entire dye job for free.   He hadn't  been forewarned  to wear the proper clothing for the day, and the tools which Jeremy the office coordinator had seemed SO concerned that he needed for the job were nowhere to be found.  Yet they expected him to do it anyway.  So he walked.  They told him that he needed to tell the other "intern" the formula to get the dye right and he refused.  I was so proud of him for finally standing up to them.  And then they fired me.
    At the end of the day, they called me into the office and told me that "it just wasn't working out".  I asked them why and they said I was being "insubordinate" for telling Chi to stand up for himself and they wouldn't give in to that kind of "bullying".  I asked them how they could be so heartless as to have him work for free in the first place, and Ethan's reply was that he had given Chi other jobs in which he had gotten paid, which supposedly demonstrated his great "concern" and "caring" for another individual's well-being.  I talked to the head producers before leaving, and they promised me to rectify the situation, whether it be getting me and Chi back on the show, or jobs on another show, but I still have yet to hear from them at all.
    If I had it to do over again, I wouldn't change a thing.  Like I said before, it's amazing how much my friends and family have supported my decision, and a few have even said I was their "hero" for standing up for what was right.  It's sad, though, that they simply got away with it, and continue the practice as well.  I can only trust that one day they'll get what they deserve and God and the karma police will come for them.  Until then, I'm still getting calls for other jobs and struggling to pay the rent.  But at least I did the right thing.

Monday, June 25, 2007

Pictures!!!

Pictures!!!

Here are some pics I've been meaning to post up...

This first one is from the set of the film 'Staten Island' when we were filming in a junkyard

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Still from 'Staten Island', we were getting some shots of the Manhattan skyline

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This night we had to re-sink a car.  The first time they filmed it it went to the bottom of the river and got stuck.

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We have strange wildlife run-ins from time to time... Here a random peacock rolled up to a hospital we were filming in and tried to walk through the automatic doors of the emergency room. 

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A little family of geese, with the Intrepid and Manhattan in the background.

 

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Me, Ethan Hawke, and Jeremy Shwartz on the set of 'Staten Island' 

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Photo Sharing and Video Hosting at PhotobucketI don't know if I wrote about this, but I worked three days on a kids video pilot. 

Photo Sharing and Video Hosting at Photobucket  How cute!

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Brooklyn Bridge and downtown from the water taxi dock in Brooklyn

These two shots were kind-of from a surreal experience.  I was driving around downtown... and came across urban ninjas!!! ...or maybe they were samarais...

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Regardless, pretty strange.  Until next time...

Wednesday, June 20, 2007

Naked Brothers and Pothedz Couch - Episode 6 News

Naked Brothers and Pothedz Couch - Episode 6 News

So we officially have recorded Episode 6 of Pothedz Couch!  It took forever to get everybody together to do it, but it finally happened yesterday. Peyton came over and filmed with us until about 2PM, then we shot the rest with some extra characters being played by our friends Leslie Bowen (who we know originally from college) and our neighbor Sam George, with only a little break so that Sam could go downstairs and play a concert in Second Life (check him out if you're in Second Life, his name in SL is Sebastian Jacks).  It looks like its going to be another good one, although this will be the first of our shorter, more internet-geared shows.  Odds are we'll start just making smaller segment clips and put them on the site with a new setup, but who knows.  I have a habit of changing my mind depending on what I have time for and how much funny stuff I come up with. 

Also, once again, I've started back on the Nickelodeon show "The Naked Brothers' Band".  While that means I won't be on any cool movie gigs until October, it also means I have a steady job with good hours until then.  It's on the good end of rates for PAs ($150/day), although not as good as commercials, which are about $200/day or more sometimes, but better than most low budget movies, which are usually around $125-$130/day (sometimes $100/day in the winter).  Also the hours are better than on features, which usually run 12-19 hours a day.  Most days on this are closer to 8-10 hours, which I hear is more common on episodic TV.

Anyway, I've got a little work to do on Episode 6 before it makes it to the site.  I've got to log all the tapes, edit them together, do a few more animated bits, add sound effects and music, film a couple of insert shots,....well, you get the idea.  There's still a little ways to go.  I'll be working on it every chance I get, though, which means nights and weekends now that I'm on a nearly normal person's schedule.  Hopefully it'll be done in a couple of weeks,but don't be surprised if it takes a little longer...

Friday, June 15, 2007

Staten Island and Martha Stewart

Staten Island and Martha Stewart

I just finished working on another indie movie called 'Staten Island' and then I worked a couple of days on Martha Stewart's 'Everyday Food' taking apart the whole kitchen set and moving it up to a storage space in Norwalk, Connecticut. Today I'm working on some kids video pilot that's really low-budget and we're stealing shots all over the city w/out a permit.

The 'Staten Island' movie was an alright shoot.  I only worked the last couple of weeks on it because one of their PAs got in an accident and went to jail because of some outstanding tickets on his license.  It wasn't too bad.  It looks like the story's pretty decent, so it just might get picked up by a distributer.  It stars Ethan Hawke and Vincent D'Onofrio.  I got my picture taken with Ethan Hawke, but I'll have to post it up here later 'cause I'm at work right now and it's on my home computer.

The Martha Stewart gig was a lot of tiring work; moving huge refridgerators, heavy ass set walls, marble countertops and thick tile flooring.  Needless to say, I'm still a little worn out from the last couple of days.  At least the hours were good and the rate was too.

We should be shooting the next episode of Pothedz Couch Monday or Tuesday of next week...(keeping my fingers crossed that nobody ends up having to work those days)  Me and Peyton talked to some lady about the show at this Comedynet place he works now, but she just mainly gave us some "advice" about toning down the weed stuff and not using copyrighted stuff like we've been doing.  I'm not really a fan of 'toning down' and doing things the 'acceptable' way, but who knows...maybe I'll end up having to do it...

Wednesday, May 9, 2007

What I've been up to...Part III

What I've been up to...Part III

So...where was I...

Another movie I worked on was called "The Toe Tactic" that was actually kind-of cool for an indie, but you can never really tell until you see the end product.  It was written/directed by the woman (Emily Hubley) who did the animations in 'Hedwig and the Angry Inch'.  It's 1/3 live-action, 1/3 animation, and 1/3 animation over live-action.  It's kind-of an odd story about these animated dogs playing this weird card game with an animated bird where they watch this girl's real life and every time they see an object in the real world that matches one of the cards they have they hit a bell on the table, an animated sequence starts, and they jump into the real world an alter one thing slighty, then jump back into animated world, all to help the girl deal with the death of her father.(wow. what a long-ass sentence).  You probably wouldn't know any of the real life actors in it, but two of the animated dogs are David Cross (Mr. Show, Arrested Development) and Jane Lynch (the lesbian dog trainer from Best in Show).  Anyway, it should be pretty good, but it may turn out to be very "independent".

One cool thing I worked on was "The Bourne Ultimatum", the third in the Matt Damon/Jason Bourne series.  I only did one or two days, but I got to see a really cool stunt where we had to close down a whole block in Chelsea (which of course really pissed off a bunch of people that we PAs had to deal with).  The basic jist of the scene is that Matt Damon's character at this point in the movie has stolen a cop car and is engaged in a big chase scene where a bunch of other cars are chasing him.  Suddenly a car pulls out of a parking deck, which Matt Damon's car narrowly avoids, but the one of the cars behind him smashes into it, spins it, an it goes slamming into other cars down the street. Awesome, right?  They only did the actual crash twice; the rest of the day was mainly coverage of the scene without the crash, but the rigs they used for the cars were really cool.  One had this go-cart type thing on top of the car Matt Damon was "driving" where the stunt driver sat.  At first, I thought the rig was for the camera, but then I realized the guy on top was DRIVING!. Another one had the go-cart looking thing way in the front of Matt Damon's car, with the camera and a couple of guys right behind him, facing the front of the actual car.  Anyway, it was a pretty cool day of smashing up cars!

Aside from that, I worked a couple of foreign films, one called "The Father Game" by some German guy, and "Restless", which I think was an Israeli film.  Neither one of them was really cool or remarkable in any way...

A couple of weeks ago, I worked the MTV Road Show, which basically was an MTV upfront (upfronts are those things where the network unveils and hypes their new shows for investors and advertisers).  I actually have a camera now, so I'll try to put the pictures I took at it up when I get home (I'm actually at work right now).  That band Gym Class Heroes played for the entertainment (they sing that song that samples that 70's Supertramp song that goes 'Take a look at my girlfriend, she's the only one I've got, ba da ba da da'...).  They also has Three 6 Mafia and those girls form that one show "Taquita and Kaui",as well as the guys from the show 'Human Giant'.  I was gonna get pics with all of them, but I never did find the right opportunity.

This brings me to my current job, the Survivor XIV Fiji Reunion (which I'm sitting at now...wasting time ;).  This is my third year working it, and it's a pretty good gig with some fun people.  Anyway, I guess that gets us all caught up now...

Until next time....

What I've been up to... Part II

What I've been up to... Part II

Ok. Part deux.
So, I also did a few days on Law and Order, the staple for New York TV employment.  Usually, during the winter, shooting on TV and film slows down a lot, but Law and Order is one of the few reliable steady gigs that works through the winter. Luckily, I had a friend working as key PA, so I was able to get hooked up with some work during those cold winter months.  I don't really remember what the episode was about, except that we were outside and they surrounded some house with a bunch of cop cars and then rushed the house and pulled some guy out.

So, I'm actually at work right now, so I'll finish this entry up in a little while...

Tuesday, May 8, 2007

What I've been up to.... Part I

What I've been up to.... Part I Hello again, freinds and fans.  I've actually tried posting a new blog a few different times in the past month, but everytime something has gone horribly wrong (usually on a wireless laptop) and my post has evaporated into the ether... Well, here I go again on an impossible long catch-up attempt that hopefully will reach you instead of dissappearing into the nether regions of computer space:
So...November.  Was that really the last time I wrote something!?  Don't get me wrong, nothing THAT major has happened in the past 6 months to change the course of my life or anything, just a lot of good stories that I'll probably mess up the details on now, if I can remember them at all.  I'm going to attempt to write in this thing more often, but I think I always say that....
Ok.  Let's start where I left off last..."The Accidental Husband".  So, like I said before, it's a romantic comedy with Uma Thurman, Jeffrey Dean Morgan, and Colin Firth.  I was mainly working additional days here and there on it, but they had to shut down production last year 'cause Uma broke her wrist.  At first I heard it was because of a accident on set involving a process trailer, but then somebody told me she fell off a ladder at her place in Connecticut.The funny thing was, since I was only working additional days, I found out only later by reading some tabloid magazine that the reason I hadn't heard from them in a while was because Uma had broke her wrist...
Ok. Now in an effort to make sure this posts and doesn't dissappear, I'll get back to you in the next post with part 2....



Monday, November 13, 2006

"Nothing Special" Days (Law and Order, Funny Games, Here's the Story, and Accidental Husband)

"Nothing Special" Days (Law and Order, Funny Games, Here's the Story, and Accidental Husband)

Lately I've been just working a few days here and there on different projects.  Nothing really special, but I've learned that sometimes my "nothing special" days can seem interesting, like when I hurt my back one day at work this summer.  I was telling some one about it when I realized the fact that I hurt it moving a rocket ship made it sound a little bit cooler.

Anyway, as I mentioned in my last blog entry, I worked a couple of days on 'Law and Order' (the regular one, that is to say, the one without any letters after it).  The episode was about this guy who kills a guard and breaks out of police custody and ends up taking some schoolgirls hostage and shooting some of them before he gets caught.  I think the headline it's supposed to imitate is the Amish school shooting, but, of course, there are a bunch of twists near the end and it becomes less a story of forgiveness and more about revenge and justice.  Anyway, it was an OK couple of days of work.  I helped with first team (the main actors) the first day and locked up part of the street where we had a bunch of cop cars and ambulances outside of a Catholic school on the second day. Oh yeah, and I had to lock up a staircase when we filmed this scene in a projects building and I almost died because it reeked of piss so bad.

I've also been working a few days here and there on that "Funny Games" movie I mentioned in the last blog entry that's a shot for shot remake into english by a German director.  It's all inside Steiner Studios, so it's pretty dull days (no random people on the street to keep quiet in a studio), but at least I'm out of the cold.  They're supposed to finish filming next Tuesday, but I think most of the cast is done already.  I've heard there has been some tension on the set some days between the director and some of the actors.  Mainly I've heard that Michael Pitt (Last Days, Hedwig and the Angry Inch) and sometimes Tim Roth (Pulp Fiction, Resevoir Dogs) have gotten into some yelling matches with the director, but I think it's to be expected when you have somebody who is remaking something that they liked fine the first time and people who want to make something new that's their own as well.  And there is also the language barrier problem.  Sometimes the production meetings with the higher-ups sound like the United Nations with English, French, German, and who knows what else flying around in there.

  I did have one particularly good day on '"Funny Games" last week when I brought a few of my handmade Pothedz Couch DVDs and sold them to people on set.  I even got Tim Roth to buy one!  Although, I think he may have thought I was just giving it to him until I asked for the ten bucks.  But, oh well, I figured he's got the money and I'm sure he doesn't mind helping out a poor PA that needs it.

 The only other job that I've worked on was a couple of days on a TV Land show called 'Here's the Story...'.  It was a pretty easy gig and the pay was really good too (almost double my normal rate).  The first day was kind-of boring and was for a segment about the "history of the future".  We shot out at the old World's Fairgrounds in Queens in a museum.  At least I got to see that giant metal globe thing (the Unisphere, I'm told) and those old UFO's on sticks that were in "Men In Black".  The second day we were in Times Square at the Snapple Theater Center where we interviewed Wendy the Snapple Lady for a story about her.  She's the coolest lady and she really is the Snapple Lady, she's not just an actress.  I got a hug from her right before she left.

 Anyway, that's what's been going on in my life lately.  Tommorrow I'm supposed to work on some Uma Thurman film called "The Accidental Husband", but I know nothing about it.  Except that call is probably 6AM.  But it's not too bad because they're filming just one stop away from my apartment on the subway, so I don't have to add an hour travel time.  One good thing about working in this industry is that no matter where you live, you'll eventually get one day when you can walk to work.

Until next time...

Monday, October 23, 2006

New Jobs and Sick Daze

New Jobs and Sick Daze I finished working on that Nickelodeon show a week ago and spent the last week sick at home.  How convienient of my sickness to come right when I have time off :-(  But I haven't picked up new full time job anyway.  Tommorrow I'm going to work as an additional on 'Law and Order'.  My friend Soren is the key PA on it right now, so I can probably look for a few more additional days to come, hopefully.  I mean, I like having the time off, but with so many bills to pay right now, I can use all the work I can get right now.  I may end up working some more on this other film I did an additional day on a couple of weeks ago on a Saturday.  It's called 'Funny Games' and its a shot for shot remake of this German film of the same name by director Michael Hannekke (sp?).  I watched the original the other day and it's alright.  It's just very European and very independant.  Anyway I got to see Tim Roth (Reservoir Dogs) and Naomi Watts (King Kong, The Ring) during the one scene they shot for the day.  They spent the bulk of the day setting up and waiting for the tide to come in and the sun to come out so they could launch the boat in the scene.  Anyway, I need to go so that I can get up at 4AM for my 6:15 call downtown....

Tuesday, September 5, 2006

Blackouts and Breakdowns - Returning from the Ashes

Blackouts and Breakdowns - Returning from the Ashes

It's been a little while since I've written anything, but for good reason. After we got pushed out of our apartment in midtown Manhattan by our scumbag landlord, we ended up in Astoria, Queens.  The good news is that our new place is bigger; the bad news is that it's still more than we can really afford.  Not long after we had settled in, we had to live through the infamous Queens blackout (the power was out for days during the hottest time of the year when a bunch of feeder cable failed).  The icing on the cake was when my computer died, trapping all of the website and show stuff in it.  Ugh.  So, I bought a new computer (on credit, of course) and I am currently working on totally remaking the site and all the graphics for the show.  Like a Phoenix rising from the ashes...  I swear, sometimes I have the hardest time figuring out what to take as an obstacle to be overcome and what to take as a sign to change direction. 

In other life news, right now I'm working with the Art Department on a Nickelodeon show called "The Naked Brothers Band".  It's a fake 'reality' show about these kids who have a band and are supposedly big rock stars.  Whatever.  It pays the bills... barely. 

Anyway, things are returning to normal now, for the most part.  Hopefully, we're on an upswing.  I'll try to be more consistent in writing in this, but it's tough with all the site redesign stuff.  'Til next time...

Friday, June 23, 2006

Slipping Through the Cracks

Slipping Through the Cracks I just realized that when people talk about those members of society that fall through the cracks, that they're talking about me.  I've been having so many situations at work and at home where, in both places, I'm told there are various laws to protect me, but my lack of knowing them, plus not knowing how to get them enforced without costing me more in legal fees and lost work than it would be worth, prevents these laws from ever helping me.
    Example 1 - At Work- I worked on that movie 'The Babysitters' that I mentioned in the last blog entry, but only as an additional PA (which means I only worked about 3 days a week when they needed the extra manpower).  One of the reasons was that my work on the 'Survivor Finale' wasn't finished before the beginning of the movie, but the main reason was that I recognized the kind of grueling schedule I would be on if I took it.  You see, this was yet another movie with a suburban setting filming in New York.  While I appreciate the fact that they're shooting more films in New York, which means more work all around for everyone, what the suburban movie filming in New York City means is that every day the equipment and people have to come from the city to either upstate New York, Jersey, Long Island, Staten Island, etc.  So that means add a couple of hours to the 12 hour minimum work day for traveling to and from set.  So now your working a 14-hour day minimum.  But then you have to add on another hour or two if your a PA, because, odds are, you're driving people and/or equipment and you have to drop your vehicle at a parking lot and take the train home, making your day a MINIMUM of 16-hours, which means the most sleep you can get is eight hours, and that's if you go straight to bed when you get home.  The nail in the coffin, though, is that this is an independent movie.  Translation- they are going to go over twelve hours every day.
Therefore, even if you were to go right to bed when you got home, you would average about 3-5 hours of sleep every night. Doing that for one or two nights is no big deal, but after a week or two, that shit starts getting dangerous.  PA's start dozing off at traffic lights or weaving back and forth with a van full of crew.  Of course, that's the only time some producers start getting concerned.  When the union crew members start to be in danger.  I'm pretty sure that if a PA died in a fiery crash, their first question would be, "But is the equipment alright?"
    Supposedly there are labor laws to protect me from abuse, but somehow I end up perjuring myself to my own detriment weekly as I sign one timecard with my actual hours, and then another one with fake hours so that I can be paid the flat rate we all have to agree to without the government finding out about the often illegal, migrant-worker-type wages we're being paid.  A few weeks back I realized how bad it was when I saw some special on TV on the history of unions and sweat shop labor in New York City, and I thought to myself, "They didn't have it so bad.  Only 12-hour days? At least they got to sleep sometimes."  I heard recently that some director made a documentary on the the TV/Film Industry called "Who Needs Sleep?" that exposes just how bad it is and how many people have died because of it.
     And don't even get me started on unions.  In principle, a union seems a good idea; people banding together so that no one gets taken advantage of.  Protecting the little guy.  But that's not what the unions do.  They're actually more of an elite country club where you have to pay, literally, thousands of dollars just to take a test that even if you pass, you aren't assured of getting in.  It all has to do with whether you have a friend, or a brother, or cousin, or someone that will stand up for you in the meeting so that everyone will vote you in.  It's really just another broken and failing system that's been set up.  I just finished working on the second unit of a film shoot (I'll talk a little bit more about it after I finish my rant) that got shut down on it's last day of filming because of the union.  The shoot was supposedly non-union, but when the union reps found out we had some union guys on, they forced them to walk out, as well as recruiting some other crew members so that they would walk out as well, which totally shut down the picture.  It was ridiculous.  You know the system's messed up when even the union guys can't pick what they can or can't work on for themselves.  I've known union guys who get them to change their name on the call sheet so they don't get in trouble with the guild or the union for working when they need to.
    Example 2 - At Home - So here's the bullshit that's happening on the home front: we're being illegally pushed out of our building in Hell's Kitchen. It all started in February when our lease was up.  When we asked our landlord for a new lease, he told us he needed to figure out what we were going to be paying.  We thought that was a little weird, but a couple of weeks later he told us he was raising it from $1300 to $1400 a month.  We told him that that really sucked, but we'd find a way to make it work.  Well, after paying two months rent at $1400 and still waiting on a new lease to sign, he suddenly tells us that he's sold the building and we'll have to pay $1600! Well, there's no way we could pull that off, so we just decided we'd have to move.  At the time he told us we could have May for free if we moved out, but then a few weeks later he tried to make us sign a new lease for $1500 a month.  After talking to a few people about our situation, we found out that not only is our apartment rent stabilized (in fact all NYC apartments under $2000 are), which means he could only raise the rent a small percentage, but that the lease we had signed originally was total crap because it said it was for a non-rent controlled apartment.  By now, though, we're already in the mindset to move and don't want to deal with all the legal BS, plus our little crappy apartment isn't worth fighting for.  Yet again the legal system has failed us... So, we're moving out to Queens to a bigger place for less money, but with more travel time in our work days.  And you know what that means... now I'll only get 2 hours of sleep a night!
    Last year, when we were looking for a new place it was just as bad.  We even applied for low-income housing that was actually reasonably priced and a better apartment than any of the ones we've lived in here.  The only problem was that we made about $100 too much for the year to live there.  Once again, falling through the cracks...
    So that's the end of my rant for now.  On a good note, I have been working fairly regularly.  I finished the 'Survivor Finale', and then I worked on 'The Babysitters', which was a weird movie that is basically about a high school prostitution ring and stars John Leguizamo and Cynthia Nixon ('Sex and the City').  I got to actually meet Cynthia just a few days before she won her Tony.  Oh yeah, and Helen worked on the Tonys this year.  She was in charge of the area where Oprah Winfrey, Harry Connick, Jr., and Julie Andrews had their dressing rooms.  The movie I just finished working on was second unit on a  'Untitled Reggaeton Project' that starred that kid Omarion(sp?) who was in that boy band B2K and now has a solo album out.  Pras from the Fugees was in it too.  We only shot for five days (I guess four, actually), but it was crazy shooting in Harlem.  Every night we had these huge crowds of screaming girls that were impossible to control.  Next up, I'm starting Monday with Art department on some Nickelodian show for a few months that pays pretty well.
     As for the show, Episode 5 is almost done.  I've finished all the animation, graphics, and editing, but there's this one little skit on the subwy that needs to be reshot.  We'll probably get that done this weekend.  After that, it's finished!  And it's actually going to be pretty funny.  I was worried for a little while when I first stared editing that it was going to be complete crap, but it turned out to be pretty damn funny.  At least I think so.  Or maybe I'm just delirious because I only got 2 or 3 hours of sleep so that I could finish editing it...
    So the fun never stops here in NYC!  This weekend the show should be finished, next week I start a new job, and next weekend we move to Queens, with many days of packing and unpacking all around. I'll try to write in this thing more frequently so these posts will be shorter, but I can't promise anything. 
 Until next time,
 -Clarke

Sunday, May 7, 2006

Train Wreck

Train Wreck So, I know I've been pretty slack in writing lately, as well as working on the show, but I've been pretty busy working on this film 'Train Wreck' that just wrapped on Friday.  It had Seann William Scott (Stifler from the 'American Pie' movies) and Gretchen Mol (from that new Betty Page movie) in it.  It was actually a pretty fun gig, but, as with working on any film, it took up every waking moment (12 hr Minimum days), so I've only been able to do so much on the weekends.  We've filmed a lot more on Episode 5 of Pothedz Couch, but we still have about 4 more scenes to film and then I've got to sit down and edit it and add the graphics and stuff like that to it, etc. etc.  Tommorrow I start work on the Survivor finale, which will last until a week from Tuesday, with only one day off in the middle of the week.  Then I'll probably end up working on this film called 'The Babysitter' with John Leguizamo without a break on that Wednesday.  I'm working way too much right now...  Oh well, guess I better take it while I can get it.  I just wished it paid better.  Anyway, on an up note, I got Seann William Scott to make a brief cameo in 'Bongo's Work Tape', a little segment I made at work with Mr. Bongo to explain what I've been doing while not working on the show.  I just put it up on Google Video as a short, but it will eventually get edited down and put in Episode 5.  I'll post the link as soon as the video gets approved by Google Video.  In the meantime, I gotta crash so that I can start the cycle of long work days over again tommorrow.  Until next time...

Thursday, March 9, 2006

RockStar

RockStar So, it's been a little while since I last wrote something.  Well, here's a quick sum up of what I've been doing;  I had to go with Helen to Georgia to visit her cousins in Georgia for a 'cousins' weekend, but that's a whole story for a different time.  I've been working a lot on a new animation for the show.  It's a 'Weed Fairy Tale' called 'The Bong of Eternal Stench' that starts off with Pothed finding a bong on the porch and ends with a Heman/ThunderCats parody telling of it's origins.  I know it sounds weird, but trust me, it's gonna be pretty damn funny.
  Right now, I'm working three days on that show 'RockStar'.  It's the one like American Idol, but they're auditioning for a band.  Last year they were auditioning for INXS.  They won't tell us who it's for this year.  Yesterday we sat through about 250 people in the big cattle call and today we listened to about 80 people for the scheduled auditions.  Needless to say, today's auditions sounded a lot better than yesterdays. Although, there were really funny ones yesterday.  I think my favorite yesterday was this old guy that looked almost like a homeless dude who came in DRUNK Dammit.  I mean, this guy was barely standing.  And when he was onstage waiting for his turn, he started dancing and spinning around in the background while this other girl was singing and then he started humping the wall!  Then, when it was his turn to sing, he didn't say his name or anything, but just started in on some song about doing rails of coke and wouldn't stop when they tried to give him the cue!  I had to help escort him from the building afterward.  Well, he came back today also.  He told one person that he was there for his callback, and he told somebody else he was there for his audition and he didn't remember doing one yesterday!  I had to help escort him from the building today as well.  I have one more day on RockStar, and then they're going to some other city for more auditions.  I wonder what band it's for...  That would be funny if it were something lame like 'Hanson needs a new lead singer' or something like that.  I wonder if people ever drop out once they find out who the band is.  Oh well, whatever
  Well, that's all I got right now.  I hope I can find a time to film some more on 'Pothedz Couch'.  It's always hard to find a time we all have free since we all work weird and different hours, but I know we'll get it done eventually.  I just hope our new fans haven't given up on us by then.  Until next time...

Saturday, February 18, 2006

Wrap Parties and Random Thoughts

Wrap Parties and Random Thoughts So, this movie I'm working on right now is called 'Chapter 27' and it stars Jared Leto as the guy that shot John Lennon.  I don't get the name, though.  Maybe it has something to do with the whole 'Catcher in the Rye' business.  Beats me.  I was only on set for 3 days anyway.  It's not like I read the script or anything.  I was there for the Lennon shooting scene. Of course, being there for a big scene is not as exciting as watching it on the big screen.  Movie making is a pretty painstakingly slow process.  It usually only takes somebody new a day of watching the same 30 second scene over and over and over again to realize that filmmaking isn't the glamorous lifestyle they thought it was.
Jared Leto has kind-of chunked up for this role.  I saw him on-set before I realized who he was and thought to myself, 'Huh. That guy kind-of looks like a fat Jared Leto.' And he actually was.  Some of the guys were saying that Lindsay Lohan plays his girlfriend in the movie, but I wasn't around for that part anyway.  Not that I care, as evidence from the line I wrote for Nic in Episode 4 when Pothed turns the camera back on ("All I'm saying is, who gives a fuck about Lindsay Lohan, anyway").  I like coming up with those kind of lines, where you're just catching the tail end of a conversation and the comment sounds so random.
I have a wrap party tonight to go to in the meat packing district.  Some place called Level 5.  The cast rarely shows up for wrap parties, though.  Although Kevin Bacon and his wife Kyra Sedgewick partied down at our midway party for Loverboy, that movie I worked on that is never going to be released.  They're probably just waiting on the next crazy mom that kills her kids to be in the paper, since that's what the story's basically about.  It's all about timing...
So I'm probably going to this party, even though I don't know a whole lot of the crew members. Hey, free drinks, right?  I got one more day of wrap on Tuesday, but it doesn't look too bad.  Should be a pretty easy day. 
Guess that's all the news I've got right now.  I'm still having trouble scheduling times to finish shooting Episode 5 of Pothedz Couch.  I've got the whole episode mapped out now, but everybody has stuff to do at all sorts of conflicting times.  Oh well, I hope our fans haven't given up on us by the time we finish this one.  I've started writing on Ep. 6 already, too.  It's gonna be pretty damn funny if we can pull off everything that's in my head. 
Blogging is still a wierd experience for me.  It's sort of like, "Here you go world.  Have a look at the random stuff in my head today."  Not that the whole world cares what I'm thinking.  It's just that now they have access to that info, if they want it. Whatever. Until next time,...